A Faustian Symphony

Standing in the 02 Academy in Glasgow watching the 2 Many DJ’s New Year count-down clock ticking, resolutely, down towards zero, I made myself one of several little New Year’s resolutions.

This year, I told myself, I have to hear more live music. Granted, Warsaw isn’t exactly renowned for its independent music scene but then that’s up to me to get out there and find whatever is lurking. What Warsaw does have, in abundance, is classical music concerts and there is no rhyme nor reason why I’m not enjoying one of these every other week.

One plan then, is to go to Warsaw’s Filharmonia Nardowa at least once a month and enjoy some of the events and concerts performed there. Tonight was my first of this year and an auspicious one to begin with. Celebrating Ferenc Liszt’s 200th anniversary year, the Warsaw Philharmonic Symphony Orchestra and male choir were conducted by the Brazilian, John Neschling in a performance of Liszt’s Faust Symphony.

This captivating, almost mystic and certainly triumphant performance was preceded by a gorgeously emotive performance of Alexander Scriabin’s Piano Concerto in F Sharp Minor with the piano played by the South Korean pianist, Kun Woo Paik, who I was lucky enough to speak with briefly afterwards.

Walking home, with the snow in the air and the third, Mephistopheles, movement of the Faust symphony in my ears, I realised I really could get used to this. And why not?

Now I have to decide what’s next?

Hearing Beethoven

For reasons both personal and aspirational, I spent a lot of time listening to Beethoven on my brief Christmas holiday home to Scotland.  Delphine Lizé’s bright, bouncing recording of the 18th piano sonata in B major, Artur Schnabel’s moving, and quite brilliant, take on the famous “Moonlight” Sonata in C# to name just a couple.  And then, there was Herbert Von Karajan’s 1962 recording of the 9th symphony; a lesson in balance between control and power, restraint and force.  Of course, the 9th is rightly seen as the apotheosis of Beethoven’s cycle of symphonic work and, almost as well known as the work itself, is the fact that the composer was entirely deaf when he wrote it.

It is a terribly sad thought that Beethoven was never to hear his masterpiece realised and performed by the orchestra and of course there is the famous, though I’m sure – at the very least, slightly – embellished account of its premiere where the composer was said to have stood beside the conductor, beating out the tempi to an orchestra he could not hear.  At the end of the choral, 4th movement, Beethoven is said to have been several measures behind and was still conducting as the crowd erupted in rapturous applause.  Eventually being turned to face the audience, he is said to have wept at the appreciation of the work.

Last month, three scientists from the Netherlands Metabolomics Centre published a report in the most recent issue of the British Medical Journal positing that his progressive deafness may have influenced his compositions.  His condition, said to have been brought about by a distended inner ear that developed lesions over time, led to the initial loss of high frequencies and he began having difficulty hearing high notes of both instruments and voice.  By analysing Beethoven’s string quartets, the scientists studied the violin part of the first movement of each and counted the number of notes above G6 (1,568Hz).  The study found that use of the higher notes decreased as his deafness worsened and the composer compensated by focusing on lower frequency notes.  Fascinatingly though, when he lost his hearing completely, and came to rely on what he could hear only in his hear, the use of the higher notes returned.

Beethoven was 30 years old when he first writes of his hearing loss in 1801; just 2 years younger than I am now.  As an aspiring composer and pianist, it terrifies me to think of what my world would be without music, or indeed any sound at all.  That Beethoven had the inner strength and confidence to continue even after total deafness and was able to complete works like the majestic, ebullient 9th symphony or the beautiful B♭ minor string quartet, is quite incredible.

Warning. Contains me.

I’m not going to lie to you Marge, 2011 was atrocious. The initial shock and enduring sadness of my split with my girlfriend after almost 6 years together has been the most prevalent detail of the last year and I am not at all sad to see it off into the distance behind me. While I initially struggled to cope with life on my own in a foreign city, there was some ebb and some flow. Though in retrospect, I’m sure I should apologise for my capriciousness, the year did hold some occasional moments of happiness or achievement that, if I chose to look on the bright side, helped me through the arduous times.

In February, my brother and his wife had a beautiful little girl, called Charlotte. I am now an Uncle. I travelled back to Scotland in March to visit and to meet her for the first time and I fell in love with the wee thing. When I returned to Warsaw, and I mean that quite literally, Asia and I split and my life turned inside out for a while. By April I was living in my own little flat in the centre of Warsaw and had decided, mid-term at least, to stay. I spent my evenings practising piano, reading or meeting friends in cafes. I don’t remember too much of the first few months of single life but I do remember, I suppose as a reaction to living on my own and to the split itself, that I started to diet and to exercise – losing just over 20kg (3 stone) since then with only a few more to go before I get to the target I set for myself.

In May, I sat an ABRSM piano exam and passed with merit, before – regrettably – barely touching the instrument for the next few months as I concentrated on DJ sets and shows. Summer passed far too quickly and in early autumn I had trips to Qatar, Orlando, Scotland and Iceland before starting back with my piano teacher in October. Since then, I’ve done little but concentrate on piano, preparing for my next exam and doing everything I can to bounce up through the grades quickly without, of course, compromising on technique and what I still have to learn.

In December, I spent another week in Scotland for my niece’s first Christmas and both good and bad things, expected and unexpected happened. Par for the course while spending Christmas at home. I did, however, get to see Airdrie United play a match away at Forfar Athletic where we won 2-3 with a last minute goal, and I “saw in the bells” at the O2 Academy with the amazing 2 Many DJ’s before coming back to Warsaw the next day – never happier than to sit at the piano again.

Drawing a line under 2011 isn’t difficult and I’m glad it’s in the past but while it almost seems masochistic, I don’t want to forget this year for the lovely things that did happen. I do, very much though, hope that 2012 is filled with a little more to make me happy than its predecessor was. Certainly it has started positively and save for the poorly timed New Year news of the inevitable new man in my ex’s life – and the heavy heart felt thereafter, I feel strangely optimistic. I’m enjoying piano more than I think I ever have – spending 3 to 4 hours daily at the keyboard and while I expect 2012 to be a year of study in technique and improvement, I want to see a progression in my grasp of music theory and composition also.

When 2012 draws to a close, I’d like to feel I’ve done more with the year than I did with the last. Of course, 2012 is the year of Poland and Ukraine’s hosting of the EUFA European Championships so summer is certainly going to be interesting anyway but I would like to explore Poland more and enjoy Warsaw’s cultural life more (and to that end, I’m plan to see at least one show each month at the Filharmonia). I want to spend more time in cafes reading books. I’d like to see my friends more and, besides the passive search for the girl of my dreams, I’d like to meet new people to spend some of my time with.

I seem to say this every year but I hope to spend more time writing for this blog and in 2012, I plan to write more about the music I’ve listened to, the films I’ve watched and the books I’ve read. I will write more about experiences of being in Poland and any trips around the country, or indeed the world, I might have. Inevitably though, I expect, will concentrate on my piano studies and my attempts to compose – both successful and unsuccessful.

For now though, it’s time to end this unexpectedly personal post and simply say to anyone reading, “Have a happy new year and an amazing 2012″.

a Christmas song…

It seems almost inconceivable that I should buck the December trend by not recording a ‘novelty’ Christmas track, so I took to the staves at the weekend and scored a frankly preposterous arrangement of Wham’s Last Christmas recorded by the Euclidian String Quartet*.

I had planned to package it together with another cover and upload them to Bandcamp as a Christmas single but adherence to Bandcamp’s T&Cs made that impossible so instead, you can listen to it or download it from Soundcloud.  Enjoy.

Listen:

Download:

http://soundcloud.com/neilmilton/last-christmas/download

 

The “snow heart” photograph is unattributed.  If this is your photograph, please contact me for credit / attribution.

*Long story.

Warsaw Insider interview

I walk my own imperceptibly thin line between charmingly affable and pretentiously poetic in this wee interview in this month’s Warsaw Insider magazine – on the back of me DJing at their annual awards party.

You can read the interview here on page 54.




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